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Box Office
Phone: (212) 239-6200
Hours: see website
Price Range:
$39.25-$96.25 Seats: 650
Open:
Jan-04, 2007
Close:
Mar-11, 2007
Length: 2:15 hr
Categories:
- Play
- Drama
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Translations |
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In 1981, MTC produced the American premiere of Brian Friel's masterpiece Translations. Twenty-five years later, the themes of this play are as timely as ever. Clashing cultures and tragedies of miscommunication unfold in Friel's invented Irish county of Ballybeg, a place he has explored in his plays Dancing at Lughnasa, Aristocrats and Molly Sweeney. Poignant and moving, Translations depicts the power of language to unite and divide people in a time of cultural imperialism. The co-production with McCarter Theatre Center (Emily Mann, Artistic Director, Jeff Woodward, Managing Director; ) will be directed by Tony Award winner Garry Hynes (Beauty Queen of Leenane). |
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Niall Buggy
as Hugh
B’way: The Weir. Off-B’way: Aristocrats (Obie, Time Out, Drama Desk, Clarence Derwent Awards), Uncle Vanya (Irish Theatre Award), Song at Sunset, The Importance of Being Oscar and Shadow of a Gunman. West End: Guys and Dolls; An Inspector Calls; Dead Funny (Olivier); Give Me Your Answer, Do!; and Juno and the Paycock (TMA Theatre Award for Best Actor). Recent London: A Kind of Alaska and The Gigli Concert. TV: “Father Ted,” “Once in a Lifetime” and “Chinese Whispers.” Film: The Libertine and Aliens III. |
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David Costabile
as Manus
Broadway: Caroline, or Change; Titanic; The Tempest. Off-Broadway: Mr. Marmalade (Roundabout); Two Gentlemen of Verona; Caroline, or Change; Henry V (1996, 2003); Troilus and Cressida (Public Theater); The New Bozena (Cherry Lane); Carnival; Can-Can (Encores!); A Winter’s Tale (CSC). Regional: Translations (McCarter) and Caroline, or Change (Ahmanson). Film: Prime, How the Grinch Stole Christmas, Cradle Will Rock and The Siege. TV: “Without a Trace,” “Law & Order: CI,” “Will & Grace.” MFA from Graduate Acting Program at NYU. |
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Alan Cox
as Owen
Credits in London and the West End: Seasons for the Royal Shakespeare Company and the National Theatre, Strange Interlude (Duke of York’s), The Importance of Being Earnest (Theatre Royal Haymarket), The Creeper (Playhouse), The Rubenstein Kiss (Hampstead), The Earthly Paradise (Almeida), The Flu Season (Gate). Film and TV: “Housewife 49,” “Custer’s Last Battle,” “Not Only But Always,” The Speed of Thought, Ladies in Lavender, The Auteur Theory, Mrs. Dalloway, An Awfully Big Adventure and Young Sherlock Holmes. |
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Dermot Crowley
as Jimmy Jack
Credits include The Weir (Walter Kerr Theatre), Dealer’s Choice at the Long Wharf Theatre and Manhattan Theatre Club (Drama League Award). His extensive theatre work for the National Theatre and the RSC in London includes Stuff Happens, Richard III, The Plough and the Stars, Amadeus. Television: “Bleak House,” “The Sculptress,” “Murder Rooms” and “Dead Gorgeous” for Masterpiece Theatre. Films: The Legend of Bagger Vance, Octopussy, Return of the Jedi and Alejandro González Iñárritu’s new film Babel. |
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Michael Fitzgerald
as Doalty
Theatre credits: The Importance of Being Earnest, Homeland, Drama at Inish, The Plough and the Stars (Abbey); Philadelphia, Here I Come! (Irish Rep); Pygmalion, Arcadia (Gate); Skylight (Landmark); Sharon’s Grave (Druid); The Call (Peri- Talking); Dublin 1742 (Ark); Alone It Stands (West End); Richard III (Theatreworks); The Cherry Orchard (New Theatre); This Lime Tree Bower (Foursight). Film/TV credits: The Tiger’s Tail (Merlin Films); “Pure Mule” (Accomplice TV/RTE). BA in Drama and Theatre Studies, Trinity College Dublin. |
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Morgan Hallett
as Sarah
Broadway: Long Day’s Journey into Night (Cathleen/ Understudy). Regional: Translations (McCarter Theatre); Love, Janis (Actors Theatre of Louisville, Cincinnati Playhouse, Marines Memorial); Splitting Infinity (Geva Theatre Center); Worksong (City Theatre); A Death in the House… (Alliance Theatre Company); The Cripple of Inishmaan; Much Ado About Nothing; Tantalus; Hamlet; Pierre; Love’s Labor’s Lost (Denver Center Theatre Company). Film and TV: “Law & Order: Criminal Intent,” Population 436, The Reader. MFA from the National Theatre Conservatory. |
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Geraldine Hughes
as Bridget
GERALDINE HUGHES received critical acclaim for her solo play Belfast Blues, which premiered in Los Angeles. It played in London, Chicago, Belfast and Off- Broadway and received the Los Angeles Ovation, Garland and Drama Critics Circle Awards. Other: Orson’s Shadow (L.A.), Kevin’s Bed (U.S. premiere), The Cripple of Inishmaan, The Weir, The Architect and When I Was a Girl…Scream and Shout. TV: “Murder, She Wrote: The Celtic Riddle,” “ER,” “The Profiler” and “The Guardian.” Film: Rocky Balboa. |
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Susan Lynch
as Maire
London stage credits include productions at the National Theatre, Royal Court, Almeida Young Vic and Theatre de Complicite. Films: Sayles’ The Secret of Roan Inish and Casa de los babys, Sixteen Years of Alcohol, Duane Hopwood, Nora, Waking Ned Devine and The Golden Age. Television: “Cracker,” “Soundproof,” “The Robber Bride” and “Bodies.” Awards: British Independent Film Award and three Irish film awards for acting in supporting and leading actor categories. |
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Graeme Malcolm
as Captain Lancey
Credits include Broadway: Aida, The King and I. Other: Macbeth (Delacorte); Waste (TFNA); Hapgood and Death and the King’s Horseman (Lincoln Center); M. Butterfly (national tour); Aristocrats, Prin (MTC); Pentecost, Safe in Hell (Yale Rep); Y2K (Actors Theatre of Louisville); Betrayal (McCarter); The Real Thing (Portland); Dancing at Lughnasa (Westport). TV: “Law & Order,” “Follow the River,” “The Mabinogi” (Channel 4-UK). Film: National Treasure, Everything’s Jake, The Adventures of Sebastian Cole. Talking Books for the Blind, 300 titles. |
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Chandler Williams
as Lieutenant Yolland
Broadway debut. Off-B’way: Rope (dir. David Warren, Drama Dept.), The Mysteries (dir. Brian Kulick, CSC), Tennessee Williams’ One Arm (dir. Moises Kaufman, Public Theater workshop). Williamstown: Lady Windermere’s Fan (dir. Moises Kaufman), On the Razzle (dir. David Jones), Once in a Lifetime, Street Scene (dir. Michael Greif). Regional: Richard II (title role, PlayMakers Rep), Mary Stuart (dir. Irene Lewis, Baltimore Center Stage). Film: Kinsey and Merchant Ivory’s Heights (dir. Chris Terrio). |
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